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The camera's continuous auto-focusing has been improved by using algorithms borrowed straight from the flagship E-M1X sports and wildlife camera. Moving on, the ART position on the dial lets you apply a selection of 15 different filters: you can choose from Pop Art, Soft Focus, Pale Light and Colour, Light Tone, Grainy Film, Pin Hole, Diorama (Miniature), Cross Process, Gentle Sepia, Dramatic Tone, Key Line and Watercolour, Vintage, Partial Colour and new to the Mark III over its predecessor, Bleach Bypass. Each of these has two or more options, bringing the effective total of effects to 30. Pressing the OK button lets you access the main 15, while pushing the button to the left of the power switch presents access to all 30. It all adds up to a very satisfying manual focusing experience, and I am pleased to report Olympus allows you to use it while filming video.
Olympus OM-D E-M10 Review | Trusted Reviews
On the whole, the E-M10 II’s menu is sensibly arranged, but it would be helpful if there was a customisable screen where you could access all your most commonly used features. Shutter speeds60-1/4,000 sec with mechanical shutter; up to 1/16,000 sec with electronic shutter; plus Bulb The button at the top-left is a shortcut button, which opens the Live Control or Super Control Panel (more on those later), the red one is for video recording, and the one with the magnifying glass turns on a 2X 'digital teleconverter'.While it's a great first camera for beginners, we'd also recommend the E-M10 Mark IV to more experienced photographers on a budget or those looking to downsize from a DSLR. It doesn’t deliver the battery or image quality performance of high-end mirrorless cameras or DSLRs, but it could be a great option as a recce or second camera. For those situations, and at this price, it's a terrific beginner mirrorless camera and certainly one of the best cameras for photography around. Price and release date You need a sharp eye to spot the differences between the E-M10 IV and its predecessor, but they do exist. The front grip has a more pronounced position for your middle finger, which gave us a bit more confidence when holding the camera with heavier lenses.
Olympus releases the lightly updated OM-D E-M10 Mark IIIs Olympus releases the lightly updated OM-D E-M10 Mark IIIs
The E-M10 Mark IV is Olympus’ answer to cameras like the Panasonic Lumix G100, Fujifilm X-T200 and Sony ZV-1. And it manages to stand out with its classic OM-D styling, super-compact body and that excellent IBIS system. The 20MP resolution isn’t going to grab any headlines, but it's a significant and welcome step up over its predecessor's 16MP sensor, and keeps it within range of the competition. There's a also a new, very thin rubberised vertical strip that runs alongside the LCD screen. This helps you slightly when holding the camera in selfie mode with the LCD screen flipped down. To see how it fits in, and which model is best for you, we’ve compared the three current OM-D models, spec by spec (the PEN models are a different proposition) and reached a pretty definite conclusion. Above: To increase the depth of field you can simply close the aperture down, but doing so will gradually soften the image due to diffraction and you may not still have a sufficiently large depth-of-field to cover the desired range of distances. The shot above was taken at f11. While shooting raw and creating a video afterwards on your PC gives you more control over grading, sharpening etc., the in-camera option is nice to have when shooting JPEG or raw+JPEG, as it is obviously much faster.
To find out I mounted an unstabilised 25mm prime lens (with an effective focal length of 50mm). According to photographic wisdom, this would normally require a shutter speed of at least 1/50 for handholding without camera shake.
Olympus OM-D E-M10 Mark IV review | Digital Camera World
Although the E-M10 III is the entry level to the OM-D series, it's a distinctly mid-level camera. Its profusion of direct controls make it a camera with plenty of space to grow into and, even with the work done to ease access to its full set of features, it still feels like a camera aimed at people who want to do a lot more than just point and shoot. New to the Mark IV model is the very welcome ability to charge the camera via micro-USB, the first time on the E-M10 series. This is a great feature for travel photographers or for using a powerbank out in the field. The Olympus E-M10 IV has a lot going for it: It's affordable, very compact and lightweight, and pairs nicely with its similarly compact and light 14-42mm kit lens. And it offers pretty good image quality overall, as well as making a noticeable step forward from its predecessor in terms both of its detail-gathering capabilities and high ISO noise levels. Alternatively if you prefer complete silence you can choose the Silent mode, still indicated by a heart icon, but now moved from its earlier position in the drive menu to its new home in the AP mode. This makes it much easier to find than before, but means you can’t choose the exposure mode to shoot in; now on the Mark III, the Silent mode effectively uses Program only. Looking through that list, you'll see that the E-M10 is essentially an un-weather-sealed E-M5 but with a better rear screen and the ability to easily send images off to a smart device. And, in use, that's a pretty accurate way of looking at things. But just looking at what's new or different risks downplaying how much is carried over from the E-M5.The automatic white balance and metering systems give a good account of themselves, delivering the colours and exposures that you’d expect in any given situation. One of the key new features for the Olympus OM-D E-M10 Mark IV is the welcome addition of a 20MP Live MOS sensor, which is a boost from the previous generation’s 16MP sensor. This brings the E-M10 series in line with the latest versions of the E-M5 and E-M1 series, which are both also using 20MP sensors. The E-M10 IV has a boatload of scene modes: 28 to be exact. The camera shows an example of each option, which is helpful. The E-M10 Mark IV features capacitive touchscreen operation, although if you're not a fan you can for the most part get away without using it much at all, as there are a plethora of physical buttons which are either dedicated to specific functions or can be customized to suit. Indeed, the touch-sensitive interface hasn't led to a cleaner or more pared-down minimalist look.
Olympus OM-D E-M10 III vs E-M5 III vs E-M1 II: which OM-D is Olympus OM-D E-M10 III vs E-M5 III vs E-M1 II: which OM-D is
The good news is that these menus are mainly there to allow you to set up the camera exactly the way you want it to be set up – once you're done with that, you'll seldom need to delve into the menus again, courtesy of the large number of external controls as well as the excellent Super Control Panel, which is basically an interactive status display inherited from older Olympus cameras. There's also a built-in eye sensor which optionally switches between the electronic viewfinder and EVF automatically, and the EVF helpfully displays key shooting information along the bottom of the viewfinder.
In depth
The results are great-looking images in dim interiors or around the blue hours following sunset or before sunrise without the need for a tripod. Of course the ability to handhold a slow shutter speed isn’t going to help if your subject is moving, but for static subjects it’s an incredibly valuable capability. Arguably more likely than the PEN F II is the release of another E or E-PL (PEN-Lite) camera. The resurrection of E-P line in 2021 (in the form of the Olympus PEN E-P7) somewhat threw the future of the E-PL into question –though the E-P7 wasn't released in the US, where small EVF-free cameras have traditionally been a harder sell for the company. It would also be nice if Olympus made more use of the camera’s touch control system, so it can be used with more of the Super Control Panel and the main menu. The Micro Four Thirds mount gives the OMD EM10 Mark III access to the broadest and most established native lens catalogue of all the mirrorless camera systems. Micro Four Thirds has over 75 lenses available from Panasonic and Olympus along with third parties including Sigma, Tamron, Samyang, Voigtlander and others. So while many rival mirror-less formats are only now beginning to cover most bases with a single lens, Micro Four Thirds typically has two or more options available. Whether it’s Fisheye, ultra wide, fast aperture, macro, super-zoom or good old general-purpose, the Micro Four Thirds catalogue has it covered, and many of them are great quality too – find out more in my best Micro Four Thirds lenses guide. What makes the Olympus cameras even more unique though are their Live Bulb and Live Time options which let you take regular peeks at the exposure on the screen as it builds-up to see how it’s getting on. This lets you stop the exposure early if it’s already perfect, or perhaps not going to work out. The interval between updates can be set to 0.5, 1, 2, 4, 8, 15, 30 or 60 seconds, and the maximum number of peeks depends on the ISO value: 9, 14, 19 or 24 times for ISOs of 1600, 800, 400 or Low respectively. Once you’ve used up your allocation of peeks, there’ll be no more, regardless of the exposure length. You can find the options to configure this in Custom section D2.
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